(pressing HOME will start a new search)
|
|
INTEGRATING DESIGN AND THE CONSTRUCTION SCIENCE CLASS
Walter
V. Wendler
and Robert O. Segner Jr. Texas
A&M University College
Station, Texas |
It
is held that students of design and construction frequently do not
synthesize learning from various courses into a coherent body of
knowledge. A college where courses are offered to both disciplines may
be able to integrate some course contents to enhance usefulness of the
material for each discipline. The models proposed for
accomplishing this integration are: co-requisite classes, linked
sections, interaction between classes by professors, perhaps to the
extent of team teaching, and structured interaction between students.
Various courses are analyzed in terms of use of the proposed models for
integrating the subject matter, including: materials and methods, static
and structures, mechanical and electrical systems, estimating and
scheduling, and contract law. The following conclusions are
drawn: co-requisite classes appear useful, but have severe practical
constraints; linked sections, and interaction between classes by
professors seem most viable; and numerous benefits are foreseen from
structured interaction between students, between courses. |
INTRODUCTION
This
paper will present a number of models by which construction course work can be
integrated with architectural design courses. The beginning premise is that
while students of construction and students of architecture receive instruction
in a number of elements of their disciplines in a variety of courses, and while
educators assume that these units of instruction will be synthesized by the
students into an integrated and coherent understanding, experience indicates
that such integration often does not take place. It is held further that greater
integration of the course work provided students of the two disciplines can only
serve to enhance the understanding of the two professions, each for the other,
to their mutual benefit in academia and in professional practice.[6]
There
are some assumptions in which the integrations proposed in this paper are
founded. First, the integration is discussed in the context of courses being
taught in a multidisciplinary college which houses programs in architecture and
construction, as well as other professional programs. It is further assumed that
parallels exist by which similar methods of integration can be utilized at other
universities where the construction program may be housed in a college other
than architecture.[ 1]
It
will soon be noted by the reader that many of the models which are presented in
this paper involve the extension of construction expertise into the education of
design students. While a conscious effort has been made to include consideration
of benefits to construction students, construction professors, and the
construction discipline as the result of the integrations proposed here, it is
nonetheless freely admitted that often the preponderance of the direct benefits
to be derived will accrue to the design students.
This
should not be viewed with dismay by the construction professional. Rather, it
can be seen, first as an opportunity to further contribute in a meaningful way
to the education of designers, as well as to the more complete education of
constructors. It need hardly be said that such efforts can only bode well for
the future of the young people in both professions. Additionally, what better
way to enhance the stature of construction education as a bona fide academic
discipline, than to recognize the value of key blocks of construction knowledge
to the education of students of other disciplines?
THE
PROBLEM
Examples
abound of situations where students tend to keep their teaming from individual
courses discreet, while educators believe that all of the knowledge from
different courses and disciplines is being synthesized by the students into a
coherent body of learning. The student of design produces a project in the
studio which requires impossibly long spans, and which pays no heed to methods
of making connections between various materials and structural components. Yet
this student has usually completed static and structures courses, as well as
materials and methods course work, prior to enrolling in the design studio.
Similarly,
detailed consideration of integrating a workable mechanical system into the
design project (including capacities of heating and/or cooling systems, duct
layout, etc.) frequently seems alien to the student designer, as if it were
somehow incidental to, or perhaps even inhibitory to, the design being produced.
Economic analysis, in terms of comparison of costs of alternative materials or
structural systems, or approximations (even on a dollar per square foot basis)
of the costs of the building being designed, frequently are not included as part
of the student's thinking regarding the design project. Constraints founded in
legal considerations such as zoning, code compliance, and contract systems by
which the project may be constructed, often are not considered as part of the
design process.
The
authors have come to refer to these occurrences as the "box syndrome,"
where students keep their learning from different courses in separate boxes, and
tend to keep the boxes discreet from one another. It is the assertion of this
paper that not only is this situation undesirable, but also that models can be
devised which, with some effort, will eliminate or favorably impact the problem.
THE
MODELS
Five
kinds of construction course work will be examined from the perspective of their
possible integration with architectural (or engineering) design courses:
|
Each
of these generic course work areas will be examined form the perspective of four
different methods of accomplishing the desired integration. The potential
benefits and drawbacks of each method will be elaborated in terms of their
benefits to students of design and construction. Additionally, the argument will
be presented that the teaching of one or more of these subject areas by a
construction department, to students of construction and students of design, and
the integration of that course content into design classes, can only solidify
the existence of construction education as a viable academic discipline. In the
broader sense, the building of construction considerations into design education
can only serve to enhance the education of and enlighten the professional
practice of designers and constructors.
The
methodologies by which this beneficial integration is perceived are listed
below:
|
AN
IMPORTANT ASIDE WHICH NEEDS TO BE INCLUDED
There
exists a concept which the authors hold to be an error in the thinking of many
multidisciplinary schools, which refers to Construction Science classes as
"service courses" to the design discipline. This terminology is
incorrect at best, and counterproductive at worst. It is incorrect because no
program should be relegated to the role of serving another. The two professions
in actuality serve each other, and that reality should be reflected in the
pedagogical approach used in the university. The notion is counterproductive in
that it undermines the importance of the educated constructor, and subtly or not
so subtly, instills attitudes in both professions which may be carried into
professional life. Neither the construction science courses taken by student
architects, nor the various design perception classes taken by construction
students will be referred to as service courses in this paper. Rather, the
course work utilized in the education of the two sets of professionals, as well
as the professionals themselves, and the disciplines themselves, are viewed as
existing and functioning in a symbiotic relationship.
MATERIALS
AND METHODS COURSE WORK
Typically,
materials and methods courses in the construction curriculum address themselves
to the properties of materials from a physical and engineering standpoint, to
the characteristics and strengths and weaknesses of materials, and to the proper
specification, ordering, handling, installation, and use of the materials of
design and construction.[4] Most of the instructional material is taught in
lecture settings where the instructor delivers a great deal of factual data.
Usually students of architecture and construction are enrolled together in these
courses, with the specific and well-intentioned objective of providing for
exchange of ideas between students of the two professions. Beyond this physical
proximity, and efforts by the instructor to relate the factual material to the
needs of students of both professions, the amount of real exchange which takes
place between design and construction students in such course is problematical.
One
means of providing for greater interaction between students of design and
construction, would be to develop a series of co-requisite sections. By this
concept, students of design and construction would be simultaneously enrolled in
a given architecture design class. Additionally, these same students would be
enrolled in the construction materials and methods course. Maximum opportunity
for interchange of ideas between students, is easy to envision. A fuller
integration of design and construction education, and fuller development of
materials and methods and other construction topics from design and construction
viewpoints is difficult to imagine.
However,
consideration of the realities of the educational environment soon leads one to
conclude that implementation of such a model would be practically impossible.
Even if one were to assume that the obvious scheduling difficulties could be
resolved, it is doubtful such an approach would be feasible, for a number of
reasons.
Should
all students of construction, for example, be required to enroll in an
architectural design class in order to receive materials and methods instruction
in another class? The benefits of interfacing design and construction education
notwithstanding, the authors think not. These and a number of other
considerations lead inevitably to the conclusion that co-requisite sections are
an unworkable model for achieving the desired integration, at least insofar as
undergraduate education is concerned.
Another
possibility to be considered involves the use of linked sections of course work.
By this approach, architecture students who enroll in a design course which has
been designated as a linked course or linked section, would be required to
simultaneously enroll in a designated construction course such as materials and
methods.
In
addition to being linked by the commonality of the design students present in
each class, these courses would seek to maximize interaction between the
material presented in each class, as well as between the design and construction
students themselves. Ties between the classes could be enhanced by having the
project which is assigned in the design studio serve as the background subject
for illustrating materials and methods discussions in the construction class.
Alternately, an actual completed building of the type being designed as a studio
project could be presented as the context for materials and methods
presentations. Ideally, slides to illustrate the various phases of construction,
and depicting the materials and methods employed in the construction of the
building, would be utilized. The complete set of drawings and specifications for
the building, and other actual contract documents, used to illustrate design and
construction concepts, would be an invaluable teaching aid. If instructors from
each professional discipline could exchange presentations in the two classes
from time to time during the semester, as discussed later in this paper, this
linkage would become even more complete, and thus more beneficial.
This
model is perceived by the authors as an excellent and practicable means of more
fully integrating design and construction course work. For the design student,
this approach offers essentially the same benefits described in conjunction with
co-requisite sections -- maximum interfacing of design studio activities with
vital technical information on materials and methods provided in the
construction class. For the construction student this approach stresses the
interactive approach to design and construction issues, while continuing to
present the materials and methods information essential to the practicing
construction professional. From an administrative standpoint, this approach
requires only a minimal amount of coordinating effort for the accomplishment of
a tangible and very beneficial series of objectives.
The
final model for integrating design and construction course work entails design
professors and construction professors visiting each other's studios and
classrooms, perhaps extending to the point of team teaching each other's
courses. We begin with the scenario of the design studio instructor attending
the construction materials and methods class where both design students and
construction students are enrolled. It is presumed that the materials instructor
would make it known to the class that the design instructor were present, would
invite the design instructor's active participation in the class, and would
proceed to teach the class as usual.
The
significance of having the studio instructor present in the class is manifold.
First, it demonstrates to students of both disciplines the importance which the
faculty places on materials and methods of construction. Second, it permits the
studio instructor to ask questions and interject commentary from a design
perspective about the use of materials and how their properties affect correct
design decision-making.
The
integration will be further enhanced, in the opinion of the authors, if the
design professor lectures on occasion to the materials and methods class. This
action would of itself reinforce for the design students the idea that knowledge
of materials and their proper usage is fundamental to the making of appropriate
buildings. The construction students could likewise benefit from the exposure.
Seeing the different way in which the architect talks about materials, and
seeing how materials are used in different buildings which might be described by
the architect, could very well engender a better understanding about the design
process in the construction student. The student would perceive that the design
process is not a random one, but rather one in which the properties of materials
play an important role.
This
might assist the construction student in more completely understanding the
application of materials from a design perspective, and in understanding the
designers intent in using various assemblies of materials to achieve desired
ends.
If
the construction professor occasionally walked through the studio of the design
students enrolled in the materials class, a number of direct and immediate
benefits would accrue to the design students. First, and importantly, an
interest in application of the knowledge being imparted in the materials course
would automatically and strongly be evidenced. Additionally, the instructors
observations and interaction in the studio might very well yield examples which
could be utilized as teaching points in the materials and methods lectures.
It
is conceivable that one way of creating benefits of interaction for the
construction students would be to invite these students to visit the design
studios. Hopefully, the design and construction students would discuss materials
and their various aspects in the context of projects underway in the design
studios. This would create an interactive learning environment, in addition to
creating a situation where both professions experience the benefits of having
the constructor impact the thinking of the designer from the early stages of the
design process. ,
Yet
another variation proposed by the authors is one in which as an assignment in
the materials course, construction students and design students could be
assembled into teams. On each team, construction students would work with design
students on specific aspects of the design project under consideration.
Tutorials by construction students, and/or assessment or critiques or analyses
of the designers' use of materials and methods on the design project, could
become an assignment for the construction students in the materials course.[3j
It is believed that the benefits of this kind of interaction could be high.
Again, the construction students would be interfacing with the design students
from the onset of the design process, to the betterment of both. Additionally,
such group learning sessions could demonstrate to the design student the
valuable expertise which the constructor brings to the design process.
A
final model proposed by the authors for integrating the content of materials
courses for students of design and construction, is one in which the materials
instructor is a regular part of the design course. This concept is similar to
that of the design instructor being a lecturer in the materials course, with the
same associated benefits. Here though, instead of delivering formal lectures,
the construction professor might be assigned for a period of time to be a
visiting critic for a number of design studios. The benefits to design students
would be immediate and clear. Not the least among these would be the fact that
opportunity for direct interaction with a materials expert would almost
undoubtedly generate new insights regarding use and application of materials in
the design process.
From
the foregoing discussion, it is clear that a number of models exist by which the
materials and methods course work of the construction department can be more
fully integrated with the design studios of the architecture department, for the
mutual benefit of students of design and construction. The authors believe that
one or more of these models, or some combination of the pedagogies discussed
here, could be utilized at some level in the curricula of many colleges where
design and construction are taught. The intent here is to stimulate thinking for
educators who would consider different teaching approaches for the improvement
of the educational process.
It
is also recognized that the success of the interactive methods discussed thus
far with regard to materials and methods course work, and discussed in the
sections which follow regarding other teaming areas, will rest in large measure
with the faculty members involved. In the opinion of the authors, it is only if
the faculty invites a two-way interactive process within the models discussed
here, that students will in fact effectively interact.
In
a final note regarding materials and methods course work, it is strongly held
that the integration of this body of knowledge into architecture and
construction curricula should occur early in the educational process of students
in both disciplines. From the perspective of the architecture student, the
disciplined understanding of materials and their use in building design and
construction, is the building block of design. The early exposure of the design
student to thinking about materials from the constructability standpoint is
essential for the realization of appropriate design and construction strategies.
From the construction student point of view, the notion of assemblies of
materials and their impact upon estimating, scheduling, and building is a
fundamental one. Early exposure to the interaction of construction and design
issues is basic. It is believed that both students of architecture and students
of construction have much to gain immediately and in the long run from the kind
of supportive and interactive approach to the professional disciplines presented
in these models.
STATIC
AND STRUCTURES
With
regard to this area of knowledge and the others which follow in this paper, the
unit of instruction will not be traced through all of the pedagogical models
previously presented. Rather, various important aspects of education of
designers and constructors within this subject area will be presented.
Discussion will be provided with regard to the one model, as previously
developed, or to combinations of the models, which appear to offer effective
means of better integrating the subject matter for students of design and
construction.
The
two-way integration of statics and structures course work for students of design
and construction is more difficult to address than the materials and methods
course work discussed earlier. Structures is frequently taught from an abstract
perspective to students of both disciplines.[5) The problems of understanding
the impact of structure on decisions affecting cost, speed of erection,
materials selection, organization of work, and other related issues are numerous
-- and are only infrequently discussed in many structures and design courses.
Typically, the courses in structures are offered in the construction department,
and are taken jointly by students of design and students of construction, and
may very well serve the needs of neither population effectively. In this area, a
great deal of progress might be made regarding the two-way integration of this
body of knowledge.
From
the conceptual standpoint, and within the framework of the models being proposed
here, the studio instructor could participate as a visitor to the structures
class, and could discuss the functional and planning implications of structural
decision-making on the building design and procurement process. Examples of
architectural work might be used to impress the design and construction students
with the importance of appropriate decision-making, early in the procurement
process. Additionally, the telegraphic impact of structural decisions by the
designer, could be investigated in a series of lectures by the design
instructor. Many issues would likely begin to evolve in these discussions, which
have a significant impact on the delivery of professional services by both
disciplines.
The
understanding of structures concepts by the design student working in the studio
can be enhanced by frequent referral on the part of the studio instructor to the
lecture sessions carried out in the structures course. [8] The bridging between
the two courses then, can be enhanced by the active involvement of the design
professor, and the students of both disciplines can benefit.
None
of the preceding discussion is intended to obviate the need for clear and direct
presentation of mechanics of materials and assemblies, and structural behavior.
However, that is only the foundation for the even more comprehensive
understanding of structures needed by the constructor and by the designer, to
enable them to make effective decisions about realization issues (how the
building is actually constructed), and design decisions (what the final form and
order of the building should be). Intelligent decision-making on these issues
must come from informed professionals who understand the issues of structure
from both an assembly and design perspective simultaneously.
The
construction science professor visiting design studios as a critic presents
another opportunity for this kind of integration. The design student will profit
from the knowledge which the construction professor can share with regard to all
aspects of structure in the design, and especially those considerations
involving structural decisions early in the design process.
Construction
students also could benefit from an interactive analysis with design students
with regard to structures issues, as suggested earlier regarding materials and
methods considerations. The interdependency between constructor and architect in
the early stages of design occurs not only from an engineering standpoint, but
also with regard to issues of assembly, process, and cost. Discussion might
revolve about issues such as how the choice of one structural system over
another might reduce erection time, or increase the ease of detailing, or how it
might reduce the number of different trades involved in the construction
process. Both designers and constructors would be well served by the integrated
inclusion of such issues in structures course work.
As
in the previous section, the authors conclude that the simplest way to commence
such an integration would be for professors of design and construction to attend
and take an active part in each other's classes. It is believed that the process
would be further facilitated if design students were enrolled in structures
classes concurrent with their design studio work, by the linked sections
concept.
MECHANICAL
AND ELECTRICAL SYSTEMS
The
impact of mechanical, electrical, luminous, and thermal considerations on the
quality of a building is undeniable.[2] Perhaps more than any other, these
issues affect the quality of a given building, and are most readily assessed by
the users of the building. The vital importance of properly educating students
of design and construction in this important aspect of their disciplines is
apparent.
As
with structures course work, if the educational experience of the students
involves only the engineering aspects of the subject matter, the material can be
dry. Worse, if only the physics of light and the thermodynamics of air flow are
presented to students of design and construction, the material may seem
inconsequential to students of both disciplines. The impacts of decision-making
in these areas should be addressed from the standpoints of cost effectiveness,
quality, assembly and profit. Both students of design and construction can
benefit directly from this added dimension to mechanical and electrical course
work.
If
design students are enrolled in linked sections of the mechanical/electrical
courses offered in the construction department, and if design and construction
professors attend each other's lectures and studios, as previously discussed,
then a broadening and enriching of course work content can be achieved. The net
result can only prove beneficial for students of design and students of
construction.
If
the studio instructor attends and participates in lectures and laboratories of
the construction course in mechanical/electrical systems, he can favorably
impact the perception of the course work by students of both disciplines.
Additionally, the questions and commentary which the design professor is almost
certain to interject into the course can but enhance and broaden the horizons of
the course content.
Based
upon the design instructor's firsthand knowledge of what has been presented in
the construction class, that professor can provide application of the principles
and reinforcement of the ideas in the design studio. The impacts of system
selection, and routing of electrical, plumbing, and other service systems in the
building (fundamental decisions about the configuration of the building) can be
addressed from the correct vantage point.
If
the studio instructor were to lecture occasionally in the construction class, a
broader view of the impacts of the service systems in the building might be
developed, for the benefit of designers and constructors in the class. Examples
could be provided of buildings where the mechanical systems work effectively and
buildings where they do not. Perhaps most importantly, the design decisions
which impact the assembly process can be set forth in a way which allows the
constructor to understand the impact of the designer's choice of various
operating and distribution systems on the estimating, scheduling, and assembly
processes of the constructor.
The
value of the construction professor participating in the design studio,
assisting design students with mechanical systems considerations, is
indisputable. The interaction between a designer and a construction scientist is
of invaluable benefit. It may also be that observations and examples taken by
the construction professor from the studio back to the construction class will
prove useful in enhancing the knowledge of the construction students in the
class, as well as further compounding the learning for the design students
enrolled in the class.
ESTIMATING
AND SCHEDULING
The
construction courses which address the sequencing and timely delivery and
costing of the construction process, are for designers, probably the most
underutilized link to the construction discipline and the expertise it has to
offer.[7] And a most unfortunate maloccurrence this is. The ability to derive
accurate cost estimates and time schedules is as basic to the success of an
architect as it is to the success of the contractor.
The
impact of design on the scheduling and the cost of a project is elemental.
Decisions in design impact techniques for work, as well as resource allocation.
Conversely, the time for completion and the cost of any aspect of the design are
important variables which affect the design itself. Yet students of design
typically are not required to take construction estimating course work, and they
seldom do so on an elective basis. Design faculty usually introduce little more
than the most rudimentary concepts of scheduling into the design studio.
If
the approach were taken whereby design and construction faculty attended each
other's classes, an enrichment of the design student's experience and
capabilities would almost certainly result immediately. If studio instructors
attended estimating and scheduling courses in the construction department, there
is no doubt they would become more capable of addressing these issues on a daily
basis in the design studio. This would permit design students to view the
matters of materials selection, structural system, mechanical systems, quality
of finishes in the building, and other key aspects of the design, from the
enlightened view of their impact on schedule and cost.
If
the designer were to participate in the estimating course work, he could provide
examples of buildings with real budgets and real time constraints. Additionally,
the designer could elaborate on the practice in many architectural firms where
constructors are asked to participate as consultants early in the design
process, in order to estimate the costs of the design being produced, and to
participate in the decision-making processes of the designer. Personal
experience would allow the citation of numerous examples where input by
constructors during the design process has yielded higher quality and/or more
cost effective buildings.
If
the estimating and scheduling faculty visited design studios periodically, they
could be of enormous help to the design students. By discussing costing and
scheduling implications of various options under consideration, they could
assist students in making informed and practical design decisions. By
continually underscoring the need to meet budget in the students' design, the
construction professor could add an important dimension as well as a huge
measure of realism to the work of student designers.
The
need is real, and the opportunities are most certainly present for strong kinds
of interactive cooperation. Designers and constructors alike would be remiss not
to adopt some methodology, whether one of the models presented here or some
other, for enhancing the interaction between designers and constructors in this
vital area.
CONTRACT
LAW
The
relationship between the law, the builder, and the designer is a necessary and
basic one. The impact of the law on the professions of design and construction
is more significant and more important today than ever before.
Students
of construction typically receive instruction in the legal aspects of topics
such as contract delivery systems, liabilities, subcontracting, labor relations,
business practice, and others. Designers also are educated in multiple facets of
the law and the legal environment. Yet strangely, few of these legal studies
courses have designers and constructors enrolled simultaneously. It would seem
that many issues of importance to the two professions could be addressed
concurrently for designers and constructors in a course specifically tailored to
meet the professional needs of both.
CONCLUSIONS
1.
I . A variety of workable models exist by which construction course
work can be effectively integrated with design courses. 2.
Of the models developed in this paper, three appear to have
widespread application and potential for success:
3.
Great benefit is seen in providing for structured interaction (by
way of linked sections for example) between design and construction
students themselves. 4.
Great potential exists for significantly enhancing the education of
both design and construction students if methods are employed to integrate
the content of the course work which students of each discipline receive,
in certain key areas. |
REFERENCES
|